【2021毕业展】广州美院附中AIP服装专业作品展

　　从这里出发——延长线Start From Here – Extending，2021广州美院附中AIP毕业展服装组 | 毕业作品一览

　　Vol1. SHAMAN CULTURE AND NATIONAL SYMBOL | 作者：骆浩云

　　「 作品介绍 」

　　这个项目是男装的设计。

　　这个项目的三套成衣材料为反光布料、透明塑料板、麻绳、弹力绳、灯芯绒、棉布、羽绒服面料、罗纹等等。

　　The second project's three sets of garments are made of reflective cloth, transparent plastic board, hemp rope, elastic rope, corduroy, cotton, down jacket fabric, rib and so on.

　　主色调为粉色与紫色，辅色主为黄橙蓝三色，采用舞蹈动态动作转换为服装，模拟猫头鹰头骨作成服装，都结合了萨满宗教的绳结文化。

　　The main colors are pink and purple, while the secondary colors are yellow, orange and blue. The costumes are changed into dynamic dance movements and made by simulating owl skulls, both of which combine the knot culture of Shaman religion.

　　Vol2. GET LOST | 作者：刘洵

　　「 作品介绍 」

　　这个项目来自于我迷路的过程及感受。根据一系列的自我绘画和感受绘画，着重体现环境和感觉，颜色就是这么出来的。

　　It was the experience of getting lost and the process, basically. According to a series of self-paintings and feel-paintings to reflect the environment and feelings of that time, and that’s how the color comes out.

　　材料分别是自制面料和其他的一些纺织面料。工艺用了烧制。特点是有丰富的感受部分充分展现了我思考问题的一种极端方式明显带有个人色彩，全部都用一手资料。

　　The material is self-made fabric, and some woven fabric. It’s very personal, completely primary source driven, so.

　　Vol3. MY FANTASTIC SPACE DREAM  | 作者：吴锴同

　　「 作品介绍 」

　　我这次的课题是对宇航员的生活方式进行研究，在一开始我在Pinterest搜索了很多关于宇宙的图片，做了一些拼贴，想靠拼贴来制造一些sense。

　　My subject is to study the lifestyle of astronauts. In the beginning, I searched for a lot of pictures about the universe on Pinterest, made some collages, and wanted to use collages to create some sense.

　　然后我从电影《星际穿越》中截了很多场景图，做成了衣服样式的拼贴，并且以此做了许多快速的sketch，并且从中提取了很多廓形和细节。

　　Later, I took a lot of screenshots from the movie Interstellar, and then made clothes-style collages, completed a lot of quick sketches, and extracted many silhouettes and details from them.

　　我在宇航员的衣服中也提取了很多灵感和结构，然后我做了一些色彩调研，从一些波普艺术家的作品和拼贴里提取了一些颜色，并且把脏粉色订成我的主色调。

　　I also extracted a lot of inspiration and structure in the astronaut's clothes, and then I did some color research, extracted some colors from the works and collages of some pop artists, and set dirty pink as my main color.

　　Vol4. HONGKONG STYLE | 作者：文伯俊

　　「 作品介绍 」

　　这个项目的主题是文化交融，我想做的是港风文化和机车文化，我觉得这两个文化碰撞在一起很有趣。

　　The theme of this project is cultural integration. What I want to do is Hong Kong style culture and locomotive culture. I think it's very interesting for these two cultures to collide.

　　一开始我做了一些调研，香港给我的感觉是很拥挤，我去找了很多香港街头的照片我被那些复古的巷子还有堆叠在街上的霓虹灯吸引了，并且根据它们的形状做了些口袋的细节设计。

　　At the beginning, I did some research and found that Hong Kong was very crowded. I went to find a lot of photos of the streets in Hong Kong. I was attracted by the retro alleys and the neon lights stacked on the streets I did some pocket detail design for their shapes, and then I went to investigate the information about locomotive culture.

　　然后我去调研了关于机车文化的资料，我觉得机车上面的细节还有结构很有意思，我特别喜欢立体感的东西。最后做第一套衣服的时候我用了一些复古的颜色和冲突的面料，第二套衣服是我根据机车文化发展出来的，我选择了一些给人一种视觉冲击感的颜色，在做裙子口袋的时候用了pvc面料，做出一种立体感。

　　I think the details and structure on the locomotive are very interesting. I especially like three-dimensional things. Finally, when I made a suit, I used some retro colors and conflicting fabrics. The second suit was developed according to locomotive culture, and I chose some Give people a sense of visual impact color, in the skirt pocket when using PVC fabric, make a three-dimensional sense.

　　Vol5. INFINITE SPACE | 作者：杨子萱

　　「 作品介绍 」

　　这是一个关于无限空间的项目，在这个项目中，我在无限空间与服装的结合上做了很多尝试。

　　This is a project about infinite space. In this project, I made a lot of attempts on the combination of infinite space and clothing.

　　我看了一部关于赛博朋克科技感的电影，里面有很多无限的空间场景，给了我灵感。在一些研究发展中，我用纸做了一些无限空间的样品。

　　I watched a movie about cyberpunk's sense of technology, in which there are many infinite space scenes that inspired me. From some research development, I made some infinite space samples with paper.

　　我做了一些彩色的面料样品，并在身体上组合。线条结构是在硫酸盐纸做的样品上绘制的，并进行重叠和拼贴，以及关注空间感知和视觉错觉的艺术家对颜色的使用进行了参考，并提取了其中的一些颜色用于我的项目。

　　I used cloth to make some repeated lines and pockets to combine with the human body. I use the sample to develop and draw some designs related to sample.

　　Vol6. LOST AND FOUND | 作者：叶咏楠（面料设计）

　　「 作品介绍 」

　　我从出生时就有皮肤病，它伴随着我成长。特别是在深夜时，我会半睡半醒的不受控制地挠自己因为很痒，早上就会发现身上留下很疼的伤口，非常难看，而且总是反反复复的。因此我总是穿长袖和长裤把自己遮盖起来，甚至是手指。

　　I have had skin diseases since I was born, and it has accompanied me to grow up. Especially in the middle of the night, I would be half-asleep and half-awake scratching myself uncontrollably because it was very itchy. In the morning, I would find very painful wounds on my body, very ugly, and always repeated. So I always wear long sleeves and long pants to cover myself, even my fingers.

　　随着我慢慢长大身体体质好了很多，但身上已留下难以修复的疤痕。常常会有人问我皮肤怎么了，这让我变的很敏感和不自信，感觉非常的压抑和被控制。

　　As I grew up, my physical fitness improved a lot, but my body had scars that were hard to repair. People often ask me what's wrong with my skin, which makes me very sensitive and unconfident, feeling very depressed and controlled.

　　在项目的发展过程中，我尝试过用各种材料去绘画；用火烧的手法使用医用器材，蜡烛和渔网做面料改造；尝试用制作布丁的原材料吉利丁粉，洗洁精和甘油做出特别的面料；在纱布上印花，在渔网上刺绣等等。

　　During the development of the project, I tried to paint with various materials; I used the fire technique to use medical equipment, candles and fishing nets to make sample; I tried to make special fabrics with gelatin powder, detergent and glycerin, the raw materials for making pudding; printing on gauze, embroidering on fishing nets, etc.

　　我很享受通过面料和服装设计来表达自己的内心感受，制作的过程让我回顾和思考自己的成长，它也重新建立了我的自信。

　　I really enjoy expressing my inner feelings through fabric and clothing design. The production process allows me to review and think about my own growth, and it also re-establishes my self-confidence.

　　Vol7.ACCULTURE | 作者：张馨月

　　「 作品介绍 」

　　这个项目是基于美恐第三季—女巫集会而作的。

　　This project is based on American horror story season 3 Coven.

　　故事中有三个团体分别为塞勒姆女巫团，巫毒女巫团还有女巫猎人。

　　In the story there has three groups, the salem witch group, the voodoo witch group and the witch hunters.

　　我最喜欢女巫所以我做了很多调研关于女巫文化包括传统工艺，我还分析了每个女巫的性格和背景。

　　I am always a big fan of witch culture so I did many research on different witch culture I also did research on the traditional techniques in their culture. I analysed the personality of the characters and the background.

　　成品是用亚麻和竹条制作的，我在其中使用了很多非洲传统工艺比如编框和蜡染。

　　The final work was made from flax and bamboo slice. I also used many traditional techniques from Africa culture such as wax dye and basketing.